Digipen and Whatnot...

So, I've been having trouble getting any time for roleplay, what with taking 16 credits at Digipen and all, and slowly falling behind as I have been somewhat reticent to ask for help. No longer. Today, I had an hour chat with my math professor and switched GAME 100 sections to a section I knew I could form a team in. I am feeling much better about my homework and have gotten basic services such as Medicaid setup(mostly) here in Washington. I have also found new blood that's interested in my Battle for Los Angeles concept and am excited to run that! Further, I am running a single player in the Warcraft universe based on an alternate history. Huzzah! Will keep updating as things progress. Despite White Wolf completely dropping the ball on my V20 Companion, still may order a single copy of Werewolf Apocalypse 20th to replace wanting all the supplements if I decide I really like it. That is, I'm giving them one more shot to give half a shit about their paying customers on Kickstarter. Plus, I'm really hoping this'll contribute to them doing Mage the Ascension 20th and then Demon the Fallen 10th in the future. I also have a project idea I've been wanting to work on for some time that is pursuant to me both graduating Digipen and getting White Wolf's permission. For now, to be mysterious(since I don't know how much I should say), let's just say it's a "spiritual successor to Vampire the Masquerade Bloodlines."

Anyways, will post an update as soon as I make some headway on those two campaigns and also, will try very hard to write more stuff like my Mood Essay on other roleplay topics(since I'm very pleased how that turned out).

I've decided to publish my essay on mood, so here it be.

An Essay on Mood

Foreword

What is mood? That's actually a hard question to answer, and on discussing it with a fellow gm, much of mood itself is actually hard to pin down with words, even though it seems to be vital and conducive to a good game session, even though it isn't in the recipe RPG books provide as an ingredient like plot or theme are.

So here we hope to explore what mood is, how it drives a campaign forwards(or, by it's very absence undercuts the campaign), and hopefully have some good, specific, in-game examples.

I am shooting for, say, informative and punchy, to steal a line from the World of Darkness Mirrors Q&A, not wordy and overblown. It is designed to read as little as needed, not necessarily as much as is crammable. So, without further ado....

What is Mood, Exactly?

Mood is the settings on the control panel of your campaign, essentially. It lets you adjust the knobs, levers and dials that control different aspects of RPG gaming there are to change, like genre, theme, and even style of roleplay all according to your tastes. However, trying to define mood in the same way you define, say, plot, seems sometimes like trying to describe the moment in fishing when you catch a fish. It's very ephemeral, seems very mysterious to some, and yet it can potentially make or break your gaming experience.

How is that possible? This is because, in essence, mood is the beating heart of your campaign. You don't go into a horror game expecting divine providence and unexpected good fortune, just as you don't go into a comedy game expecting dark occurences and tragic developments. The mood gives you a distinctive feel for your game, like a drummer in a band setting the beat, or the inciting incident in a movie. It really sets a precedent, almost subliminally so, for how things are gonna go down in your campaign. Mood also has a lot of analogue words, especially for new players, things like feel, as in “I really liked the feel of X”, or “X felt more real to me than the rest of the session”, and mood can have such an impact that players will be talking about one scene you ran days, months or years ago to this day. That's how deeply mood can affect a game. Mood hits you in the gut and gets your intuition going at the same time, and obviously it doesn't work alone.

What is it Good For?

Mood Reinforces Theme

Mood and theme go hand in hand really, like yin and yang. Theme is the kinds of actions or choices your character will be faced with in this campaign, or this session, even this system.

It's really important, and mood is what reinforces this choice all the time, constantly keeping

your story, the players choices and style of roleplay you are looking for on track, as well as being able to guide unplanned scenes or even sessions to work with your theme. Mood is like the aspects of film students learn about in directing that aren't readily obvious to the person who watches the movie. Things like how colors can convey emotions, or how framing a shot from a perspective makes it a different shot, and basically marks your campaign with your own, personal, stamp of individuality.

Conveys Style of Roleplaying(and reinforces it)

It may sound lame, but mood basically tells your players what sort of actions are appropriate to

your game. It allows the players to riff off of your mood and either emphasize with it, or contrast to it. They will immediately know(and hopefully follow) the guidelines you set down with mood in what actions are useful and what are pointless, and more often than not, players will help build up your mood for you, allowing you to keep the “feel” of your campaign without

having to work to reinforce it all the time. Riffing off mood to contradict that feel every so often is very, very good as it breaks tedium and relieves tension. A deadly serious campaign might have one or two howling in laughter moments each session to break tension, whereas players in

a laugh out loud comedy might take turns playing the “straight man” for each gag or joke. This

of course necessitates a good group dynamic, but that's another topic.

Mood sets Atmosphere/Immersion/Pacing

Mood sets atmosphere(and pacing) however you want it by describing something so as to lead to a certain conclusion based on feelings rather than purely statistical facts in the description.

Mood done effectively also leads naturally to immersion by conveying the meanings behind the actions or encounters in the rpg, leading the characters to the right conclusion as though they were following a trail of breadcrumbs. Atmosphere in RPGs are the things you don't directly experience, but have to imagine in your head. You don't really even “see” or “touch” or “taste” anything, it's all an exercise in imagination. Atmosphere is the RPG analogue to the missing senses.

For example: The gm says, “you see an old oak tree, the bark is full of mossy lichen and sap,
and it's limbs seem to waver without wind in time to a pulsating chime of sound, 'help me', faintly but over and over, as though someone is trapped inside the trunk.” You don't get to see
the oak tree or any of that(obviously), but atmosphere fires the imagination because it involves
analogues of the five senses, allowing you to imagine what would normally be absent, and therefore uninvolved in the mental exercise of imagination and immersion roleplay produces.

Mood Conveys Genre

Genre, as we all know, is the type of story you'd like to tell. Show, don't tell(atmosphere helps) and use mood to set your story firmly in the right genre. Maybe you'd like to tell a noteworthy

love story this time, or an action heroes game, or something as mixed and specific as Cthulhu in Space. It doesn't matter, it's all up to you anyway, what does matter is that mood tells that story.

Sure, without plot there is no story, but mood is how you convey that plot.

Maybe you have a horror detective game, and you have to tell the players somehow that the

murderer is hiding in the upstairs of the local curio shop.

Scene: gm says “You have all tracked the murderer to a back alley, but there the footprints

disappear without a trace. The alley is filled with trash, debris, and the homeless, as well as a

business card laying face down on the pavement.”

(Players) 'We pick up the business card and examine it after questioning the homeless man and scanning all exits for footprints.'

Well, now they've gone and jumped the gun, so use mood again and reestablish the scene.

“Ok, one thing at a time, you ask the homeless man about the footprints?” “He seems really

depressed as he shakes his head and coughs into his hand, waving you away”

'Ok, we check for more footprints.'

“After scanning the area, you find no traces of other footprints anywhere around here.”

'Is there anyone else in the area?'

“NO, the only person here is the homeless man, and he has passed out now.”

'What does the business card advertise?'

“Rare Books and Collectibles, a shop on 8^th Ave.”

'We travel there to investigate it.'

Now, in this example, you've just used mood to convey a theme of bleakness and isolation in the

middle of a bustling city(which you probably used mood to convey as busy all the time before),

and the players may not realize it yet, but they've just stepped into a little piece of the killer's

world, the deserted parts of the city with no patrol cars around and where noone leaves anything

of value unguarded. But, and it's a big but, you also left them a direction, as mood should always include direction.

Unifying other Storytelling Elements through Mood

Mood interconnects all these elements to create a unified whole, in a sense uniting your setting and plot with your players and npcs with your theme and atmosphere elements, and adds a host of derived value to them such as meaning, flavour, and subtexts. This is because you can also change up your own mood recipe to throw in, say, a red herring to an investigation game, or

a lucid nightmare to your horror game, and make it stick as something more than a random

encounter generated by dice. (I hate those)

How to Establish Mood

Mood and Theme

Mood and theme should reinforce each other constantly, that is work hand in hand, like a tag team. An action in a thematic scene should play in the mood that works for it, and vice versa.

Obviously, every action isn't thematic, but most of the campaign defining ones are. So think of a

dynamic duo of mood and theme to give your campaign life before you start. Mood and theme can require a deft touch though, more than most parts of a campaign, especially for new gms it

can be difficult to get a “flow” going with mood and theme. If you hamhand or ignore mood or theme too much, it can really fuck up your campaign. You can't have every love interest die tragically to reinforce the theme “tragically unloved”, just like you can't make every moment of

a supernatural horror game supernatural and horrific. Conversely, ignoring either one is going to make the campaign seem incomplete and deficient. Theme is theme, and mood is mood, and that's fine, but they should play off of each other all the time.

Make sure before you play that your theme plays well with the mood that you like.

Some aren't so mixable, at least not without the proper skills, and so you should be careful making them polar opposites at least. They don't have to be the same either, and it's a careful

balance every time. I play World of Darkness, but I play a subset of the core genre of Gothic Horror called Mystery Occult Horror, with themes like Enigmatic Horror, or say Revealing the Dark Occult World Below the Veneer of Civilization. It's not too far off to be a disconnect from

the themes in the books based on Gothic Horror, but it's not an exact analogue either, just as Cthulhu or Survival Horror might not be. I substitute, in this case, scenes of pure monstrousness

and political jockeying for enigmatic and chilling scenes that convey frightening conundrums.

It works well for me, and mood comes more naturally to me than some I've gamed with, so I

keep it that way, as a subgenre. The point is however much it seems like work, you should get

your moods and themes to cooperate and have a good time.

Mood and Genre

Mood should be able to play into genre, but genre is not a piece of how you storytell like theme, and so shouldn't have to play back into mood. Genre is a flavour of story, and mood gives you

tastes of that flavour. Your taste in stories of other mediums like books or movies may differ, but we're talking about your tastes in what stories you gm for. Within a genre if you study it long enough, you'll notice how it works, what tricks it uses, etc, but that's not always apparent, especially to new gms.

As an example, if you want an action game with lots of car chase scenes,

you should have mood paired with setpieces of the subgenre of Action Car Chases, like say restored muscle cars with extra options, like nitrous oxide, and then use the mood to encourage the players to play in that genres' forte, which is high speed car chases with possibly other exciting actions like shooting at each other or racing.

Mood and Atmosphere

Mood works well with atmosphere to provide meaning and intuition to your atmospheric scenes, often resulting in intuitive leaps as players digest and analyze your atmosphere. Mood

and atmosphere together often give the most extraordinary player responses across the board, as well as getting the whole group involved. Even a well placed “you see” or “you hear” can get

a good response if described well, but when you hit them with three to five senses at once and

a meaning(more specifically an implicit meaning), you can expect to arouse all of the group's

curiousity at once. It's a good way to get people involved.

As an Example:

I ran a one-shot campaign based off of the short story, “The Mist” by Stephen King, way before

it was a movie, and I had a deadly simple scene that caused my players to remember the campaign to this day. First I described the overall location, the fact that there were shapes in the mist, and then I waited. Sure enough, a player decided to wave their hand through the mist.

I responded with something pretty eloquently worded, but it summed up like “a chilly film clings to your hand and the mist resettles into it's former shape.” That description, combined with the previous location description with the shapes, set them off for the rest of the one-shot as to how the mist was “strange” and had “weird things” therefore in it, and could be “dangerous” or at least “unsafe”, far before I revealed any of the monsters or had any action scenes take place. This also illustrates how atmosphere with mood creates great foreshadowing,

and of course how it dunks the players into being fully immersed.

Mood and Pacing

Mood can easily quicken or draw out a storyline or “side quest” as long or short as you want it,

as long as you know how to do it.

The main trick to quicken it is time and other factors based on time, such as a murder being pinned on you(with a moody scene establishing this) and you have so long to prove your innocence or you're jailed. Another trick is how near or far away limiting factors to your being such as danger are. You're not gonna pick up the pocketwatch in the jungle until later if a T-Rex is chasing you.

Drawing it out is a little trickier, as it depends on the players more. The gm can easily force the

the players into a fight or flight mode and quicken the game, but slowing it down is harder, much like snowboarding. You have to essentially brake these factors and again use tricks, but

it can be done. Maybe that T-Rex leaves after other prey, and you're free to examine the pocketwatch again(receding danger). Or something is so changed in an established part of the

setting that it demands investigation, at least cursory investigation. The old woman on welfare you visited for information? Her house is now deserted, with all different furniture and even appliances.

Yet Another Update

Despite my audience being limited to crickets, I'm determined to post!! (somehow) Anyways, no bites on the wraith idea and in the end, I got ripped and had to replace the books Austin stole. But, contacted a fellow WoD gamer, who is interested in running a Vampire the Masquerade Larp here, as well as being amenable to cogming my Battle for LA tabletop!!! Also, been thinking and kicking around the idea of writing up a Nephilim fan supplement for Demon!! Talk to ya soon!!

New News!!!

LO all(looks around at crickets chirping in the moonlight). I have good news on most fronts!!!

I may first off, get my books back from Austin, (though not my money), so at least that wasn't a total wash. Plus, on that front, I could potentially reuse the setting for less D&D-centric non-tarded players.

Also I got an idea while perusing the V20 book as to a secret town, where everything is struck to total secrecy, sorta like the vampires in Salems Lot, the Great and Secret show by Clive Barker kept popping into my head also while thinking about this, so I may have to read that again as I don't remember it.

Also, my friend wants to continue his Zombies in Seattle campaign ala internets. So, I'll have some work to do to revamp my character, the biker Alex Ross.

On a side note, I have been working on a short story for my creative writing class that is just brimming with potential to be a novel, and funnily enough, I encountered two people affiliated with White Wolf(it's a World of Darkness story) that are named the same as my character, Matthew Burke, a name I just picked out of thin air.

Also Also, I may be rerunning my great epic single player saga, World of Darkness Africa, aka the Grant Stone Campaign!!

Furthermore, I've got a fellow Starcraft II player where I live interested in playing Wraith: the oblivion. Now I've just gotta read the book myself(been getting behind on my RPG reading these days as my book count goes up).

V20 Arriveth!!!

Just got my copy of V20, all leatherbound n' shit, and ye gods is it gorgeous!!! I'll have further updates once I either a) figure out online rping on a mac, or b) read this beast of a book.

How to campaign over the internets

Anyone know of a good alternative to Open RPG for dice rolling and such? My friends and I are trying to RP over google plus video chat but I can't get wxpython to register for Open RPG to work.

Never lend money without a contract first!!!

After working all summer on my Battle for Los Angeles Campaign, the players borrowed money from me and now won't play and are refusing to pay it back!! Gah!!
Anyways, here's the bulletin for yet another, "campaign that never was"
Ian Williams
July 3 2011
Battle For Los Angeles - Campaign Bulletin
Concept: Smoldering City

Goals
Storyteller:  I haven't gamed since November of last year, or so, so I am looking forwards to getting back into it with my favorite system: Demon the Fallen. I would like to be able to both introduce you guys to the World of Darkness and immerse you in some fantastic role-play experiences.

Group: Austin, Kelsey and Forrest will comprise the group. It will be best probably if one of you designates leader before play, since I could do without the quarreling over leadership that sometimes happens with some groups. That said, it's very inspiring to me to see you guys so interested in role-play and I think we'll have a very good group dynamic.

Game: I am thinking of a fairly meta-plot heavy epic, but for now, we'll start with a humble introduction and go from there. I will gm preludes for each of you and then have you meet up, or if you prefer, you could be a group during prelude. Either way, some time as a human to establish the normalcy and background is very important.

Premise
Themes:  The corruption of power. Moral grey areas and the like that goes with the territory of having powers noone else has.

Strategy:  My chief role will be director and facilitator of the story.  I will be the storyteller but I am by no means tyrannical, so if you ever feel you are being railroaded, please forgive me and bear in mind that I've only run one successful campaign, and just let me know so i can fix it.

Presentation:  Dark and gritty, almost neo-noir with shades of the demons' archaic political structures, the presentation will be at turns gritty or surreal. You may encounter other denizens of the World of Darkness, as well as humans on the hunt and spirits or ghosts, and most certainly there will be plenty of space to play if I plan it right.

System
Mechanics:  This is the tricky part on playing: I'm not the expert on mechanics of World of Darkness Austin is with D&D.  The basic system is D10 based with higher numbers being better. I would like to discuss the rules with you guys before play to make sure they seem good as is, or so we can change what we don't like.

Setting
Physical:  Los Angeles (i /lɔːs ˈændʒələs/ lawss-an-jə-ləs;[3] Spanish: [los ˈaŋxeles], English: "The Angels"), with a population at the 2010 United States Census of 3,792,621, is the most populous city in California and the second most populous in the United States, after New York City,[4] on a land area of 468.67 square miles (1,213.8 km2), and is located in the southern region of the state. It is the focal point of the larger Los Angeles-Long Beach-Riverside combined statistical area, which contains nearly 17.8 million people and which is one of the most populous metropolitan areas in the world and the second largest in the United States.[5][6][7] Los Angeles is also the seat of Los Angeles County, the most populated and one of the most multicultural counties[8] in the United States, while the entire Los Angeles area itself is recognized and regarded as the most diverse metropolitan area in the United States.[9] The city's inhabitants are referred to as "Angelenos" ( /ændʒɨˈliːnoʊz/).[10]
Often known by its initials, LA, and nicknamed the City of Angels, Los Angeles is a world center of business, international trade, entertainment, culture, media, fashion, science, technology, and education.[11][12] It is home to renowned institutions covering a broad range of professional and cultural fields, and is one of the most substantial economic engines within the United States. Los Angeles has been ranked the third richest city and fifth most powerful and influential city in the world, behind only New York City in the United States.[13][14] The Los Angeles combined statistical area (CSA) has a gross metropolitan product (GMP) of $831 billion (as of 2008), making it the third largest economic center in the world, after the Greater Tokyo Area and the New York metropolitan area.[15][16][17] As the home base of Hollywood, it is known as the "Entertainment Capital of the World", leading the world in the creation of motion pictures, television production, video games, and recorded music. The importance of the entertainment business to the city has led many celebrities to call Los Angeles and its surrounding suburbs home. Los Angeles hosted the 1932 and 1984 Summer Olympics as well as multiple games of the 1994 FIFA World Cup, including the final. Los Angeles is also home to renowned universities such as the University of Southern California and the University of California, Los Angeles.
Los Angeles was founded on September 4, 1781 by Spanish governor Felipe de Neve. It became a part of Mexico in 1821 following the Mexican War of Independence. In 1848, at the end of the Mexican–American War, Los Angeles and the rest of California were purchased as part of the Treaty of Guadalupe Hidalgo, thereby becoming part of the United States. Los Angeles was incorporated as a municipality on April 4, 1850, five months before California achieved statehood.
Los Angeles enjoys a Mediterranean climate, with an average of 35 days with measurable precipitation annually.[18]

Social:  In this version of LA, everything is a little darker, the lines between the police, legal system, and organized crime are more blurred, and avant garde behavior is the norm. People torching themselves for protests are more than heard of, and serial killings run rampant through a city that smolders like a burning oilwell, just waiting to boil over into a full-fledged inferno. Public unrest increases as conditions worsen, and often the source of relief for one thing is the source of unrest for another. Are there mysterious puppet masters creating this or is it merely man-made? That is part of the characters' story.

Mythos:  Think of World of Darkness' mythos of vampires, werewolves and so on, combined with a little Lovecraft, mixed with some Paradise Lost style demonic heroism and anti-heroism.
Characters
Professions:  You can be from most walks of life, however, I want to limit the power of the characters' to blue collar at the start, so at the end of your prelude, you should be having relatively normal funds or being destitute in some way, as the possession occurs only with those who have been broken down in some way. Plus, it's hard to make a ramping difficulty curve of antagonists when your characters can buy whole arsenals of weapons at a time.

Roles:  Think tragic-heros.  I want your characters competent in their area, and in life in general.  However, each character should have a dark side, or a large part of themselves that is flawed.  The more imaginative the balance between your characters' assets and liabilities, the better.  I would like you each to design your characters in tandem, so to speak, first because you will probably work together better as a group, second because I don't want some players limited by what other players pick, and third, because I want you to design a demon persona and history and a human persona and history, and start off human but become a "hybrid" so to speak of both personalities and referencing both histories.

Growth:  Growth will be exponentially more expensive as the game goes on, but players will start out with fifteen freebie points after normal character creation to round out your creations.

Situation:  You are all demons that escaped from the torment of the abyss after millennia bound in agony, and you must now find purpose in this new world of science and rationality, where every drop of faith is a precious commodity and your forgotten glories lie buried under your human half much of the time.